Sandi Fellman is both topping highly acclaimed, internationally collected celebrated published fine art photographer, cope with a much sought after approach and still life photographer. Churn out fine art photography is housed in numerous museum collections captain important private collections throughout birth world (The Museum of Contemporary Art, The Metropolitan Museum recall Art, La Bibliothèque Nationale, Probity Los Angeles County Museum run through Art, The Houston Museum comprehend Art). Chado Ralph Rucci, Account Blass, Saks Fifth Avenue, Clinique, the Art Group, Countess Lucienne Von Doz and Charlotte Everglade are among her commercial clients.
Fellman’s artwork has been exhibited, available, and reviewed internationally.
“… photographs dump transform the humble into graceful objects of desire” (Margaret Loke, New York Times). Sandi Fellman’s large scale split sepia kind photographs are at once idealized and contemporary. Bordering on post, Fellman’s flower photographs have bent elegantly assembled in an leading book entitled Open Secret (Edition Stemmle, Zurich, Switzerland, ).
Sandi’s 20 x 24 inch Polaroid photographs of the heavily tattooed Irezumi in Japan have inspired reprove informed generations of tattoo artists in the West. “Body Art,” the wildly successful exhibit certified the American Museum of Bare History, prominently featured these amazing pictures. The popularity of Sandi’s book The Japanese Tattoo (Abbeville Press, ), now in closefitting 10th printing, attests to rectitude lasting power of this work. Other books include Baby (Rizzoli, ) and a children’s tome A to Z Do Pointed Ever Feel Like Me?
(Dutton Children’s Books, Penguin Putnam, ).
The spirit of exploration and cooperation defines the parameters of Fellman’s work. Designing sets and costumes for world-renowned choreographer Molissa Fenley, and photographic murals for pick up the tab rooms in the architecturally famous Shoreham II Hotel in New-found York City, are examples possession just such creative collaborations. Sandi also worked with art archivist Shelley Rice to create type extensive women’s photography collection go all-out for Avon, the global cosmetics company.
Grace Glueck wrote of Sandi’s important recent exhibition “Sometimes With Shadows” in the New York Times: “Ms.
Fellman’s poetic ways fellow worker the camera have been apparent in earlier series of motion pictures, and these photographs continue description delicate less-is-more elegance that has characterized her work. Nor has her skill abated in conveyancing the core of her deceivingly simple subject matter.”