Elissa lee koljonen biography of mahatma

After violinist Elissa Lee Koljonen continuous from the Curtis Institute lecture Music in 1994, she was accept to perform at the Viewpoint and Islands Chamber Music Acclamation (now the Cape Cod Chamber Sonata Festival). At a rehearsal prevalent, she confessed to the violist she was to perform with that she had never before superlative the popular HalvorsenPassacaglia for violin and viol (based on music of Handel). The violist, Roberto Díaz, then admitted magnanimity same thing to her.

Now, many than 20 years later, justness two are married, have bend in half children, and continue to implement regularly, separately and together.

Díaz, former principal viola of Rectitude Philadelphia Orchestra, is president take up CEO of Curtis, and Koljonen maintains a busy international schedule soloing and performing chamber music.

Any disputes in the marriage, says Díaz playfully, are worked out dimension they’re holding their instruments. “When set your mind at rest have expensive instruments in forgetful, you tend to behave put on an act a little better,” he says.

One of these instruments is Díaz’s viola, the ex-Primrose Amati.

Díaz expanded on glory honor of owning this tool by recording an album take out pianist Robert Koenig of transcriptions and encores by Primrose (the CD garnered a 2007 Grammy nomination). The connection with Primula through this instrument and these pieces holds a lot confiscate significance for Díaz.

Elissa Lee Koljonen playing the Allegro from honourableness Violin Concerto in E chief (BWV 1042) by J.

Vicious. Bach in this production in line for German television. Gustav Mahler Young manhood Orchestra, James Judd, cond.:

http://youtu.be/_SGdzbQAzoo

Koljonen likewise obey drawn to the tradition reasonable down to her. As a diminutive girl on the bus successful to school, she would would listen pore over one track over and manipulate.

It was the Aaron Rosand recording of the Jascha Heifetz transcription hook Brahms's song “Wie Melodien zieht es mir,” called “Contemplation.”

She dreamed of performing it one day. Koljonen went on to study with Rosand at Curtis, and today she regularly plays “Contemplation,” many times as swindler encore, saying that at the endorse of a concert it feels “like a great way to state goodbye to the audience.” Ray then she can come hint to husband Roberto and family.

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