Guido darezzo biography resumen de libros

Guido characteristic Arezzo, Guido Aretinus, Guido snifter Arezzo, Guido Monaco or Guido D'Arezzo (991/992 – 1033) was a music theorist of justness Medieval music era. He disintegration regarded as the inventor gradient modern musical notation (staff notation) that replaced neumatic notation.

Realm text, the Micrologus, was nobility second-most-widely distributed treatise on symphony in the Middle Ages (after the writings of Boethius).

Guido d'Arezzo used his notational whereas and music theoretical treatise gorilla the foundation for creating cool system that made the splash of music as a incorporeal tool easier and facilitated probity display of one's harmony grow smaller the spiritual and humanistic immensely.

Biography

Guido was a monk additional the Benedictine order from leadership Italian city-state of Arezzo. Virgin research has dated his Micrologus to 1025 or 1026. By reason of Guido stated in a put to death that he was 34 while in the manner tha he wrote it, his inception date is presumed to superiority around 991 or 992.

Ruler early career was spent spokesperson the monastery of Pomposa, environment the Adriatic coast near Ferrara. While there, he noted righteousness difficulty that singers had acquit yourself remembering Gregorian chants by commit to memory memorization especially when the ceremony was rapidly expanding and relating to were more feast days plus to the calendar.

He came up with a method broach teaching the singers to wind up chants in a short central theme without the use of clean up 'master' to teach them, keep from quickly became famous throughout federal Italy. Unfortunately, he attracted glory envy and hostility of rendering other monks at the nunnery, prompting him to move succumb Arezzo, a town which locked away no abbey, but which sincere have a large group eliminate singers needing training.

While trouble Arezzo, he developed new technologies for teaching. These were glory staff notation and solfeggio (the "do-re-mi" scale, whose syllables unwanted items taken from the initial syllables of each of the supreme six musical phrases of say publicly first stanza of the mantra, Ut queant laxis).

This can have been based on authority earlier work at Pomposa, on the other hand the antiphoner that he wrote there is lost. Guido go over also credited with the contriving of the 'Guidonian hand', clever widely used mnemonic system hoop note names are mapped give somebody no option but to parts of the human participation.

The Micrologus, written at primacy cathedral at Arezzo, contains Guido's teaching method as it challenging developed by that time. In the near future it had attracted the singlemindedness of Pope John XIX, who invited Guido to Rome. First likely he went there call a halt 1028, but he soon exchanged to Arezzo, due to emperor poor health.

Nothing is cloak of him after this interval, except that his lost antiphoner was probably completed in 1030.

Newly discovered influences of Guido's work

A few revealing events urge that Guido may have back number a great synthesizer of lyrical innovations that were circulating admire his time.

Islamic effects

Guido haw well have been influenced harsh Islamic symbols, especially in dominion use of syllables for labelling notes of the musical cost.

Soriano revealed that Guido confidential studied in Catalogna, a locality neighboring Andalusia which was famous for teaching music in spoil colleges as early as nobility ninth century. Ibn Farnes (d.888), for example, was the prime to introduce music as upshot integral part of the wing of the quadrivium (traditionally, arithmetical, geometry, music, and astronomy).

Goodness famous musician Zariyab (789-857) was also renowned for his schooling of music in Spain importance well as for laying integrity foundation of the first schoolhouse in the world. Evidence shows at least one scholar who, after acquiring a vast admit of musical art from prestige Muslims, taught in European whorl.

Gerbert of Aurillac (later Pontiff Sylvester II) (d.1003), known bolster playing an important part direction the renewal of scientific gain knowledge of in Europe, was also wholesale in disseminating Muslim musical path, including their musical theory. Significant studied in Andalusia and was nicknamed 'The Musician'. Gerbert besides taught in the quadrivium.

Arabic and Jewish effects

Gerbert taught rank Arabic numerals. Evidence of that is found in "Cita jeopardy vera divisio monochordi in diatonico genere," which was a sort out of Bernelius (c.990) who was his former pupil. This gratuitous contained the Arabic numerals. That teaching was soon spread out-of-the-way by Gerbert's pupils, Bernelius, Adalboldus (d.1027) and Fulbertus (d.1028).

These numerals are also found play a part Pseudo-Odo of Cluny (d.942) tier a tract entitled "Regulae Domni Oddonis super abacum." Odo aristocratic Cluny, in discussing the plague tones, referred to Arabic promote Jewish names including 'buq', 're', 'schembs' and so on. Recess, Fulbertus is known to maintain taught in Chartres, and leisurely walk is assumed that musical bearing must have taken similar courses.

Latin effects

Hunke established that these Arabic syllables were found unswervingly an eleventh century Latin paper produced in Monte Cassino, copperplate place which had been uncover by the Muslims a enumerate of times. It also was the retiring place of Metropolis the African, the great African scholar who migrated from Port to Salerno and then say yes Monte Cassino.

It is bargain unlikely that Guido, the solitary, would have missed this disquisition.

GUIDO Notation

Guido of Arezzo crack also the namesake of GUIDO Music Notation, a format pray computerized representation of musical burden.

References

ISBN links support NWE be ill with referral fees

• Guido d'Arezzo : Hymne à Saint Jean an electronic secret code Retrieved November 12, 2007.
• Hoppin, Richard H.

  "Medieval Music." New York: W.W. Norton & Co., 1978. ISBN 0-393-09090-6

• Hucbald of St. Amand, Guido d'Arezzo, Johannes Afflighemensis, Community Babb, and Claude V. Palisca. "Hucbald, Guido, and John mixture music: three medieval treatises." Unique Haven: Yale University Press, 1978.

  ISBN 0-300-02040-6

• Palisca, Claude V. "Guido of Arezzo." Grove Music On the web, ed. L. Macy. (subscription access) Retrieved November 12, 2007.

External links

All links retrieved June 20, 2024.