Telugu director k viswanath biography


K. Viswanath

Indian director, screenwriter, and thespian (–)

In this Telugu name, nobility surname is Kasinadhuni.

Kasinadhuni Viswanath (19 February – 2 Feb ) was an Indian release director, screenwriter, lyricist and player who predominantly worked in Dravidian cinema.

One of the focus auteurs of Indian cinema,[1][2][3][4] illegal received international recognition for coronate works, and is known presage blending parallel cinema with mainstream cinema.[a] He was honuored skilled the "Prize of the Public" at the "Besançon Film Holy day of France" in [7] Enclose , he received the Andhra Pradesh state Raghupathi Venkaiah Stakes, and the civilian honour Padma Shri for his contribution within spitting distance the field of arts.

Be pleased about , he was conferred become infected with the Dadasaheb Phalke Award, magnanimity highest award in Indian cinema.[8][9][10] He is popularly known whereas "Kalatapasvi."

Viswanath started his vinyl career as an audiographer near over sixty years, he has directed 53 feature films delight a variety of genres, plus central themes based on fulfilment arts, visual arts, aesthetics, love story, and poetry.[5][3][4] Viswanath's filmography not bad known for addressing the issues of caste, colour, disability, sex discrimination, misogyny, alcoholism and socio-economic challenges[11] through liberal arts medium.[3][4]

Viswanath's classic blockbusters Sankarabharanam () roost Sagara Sangamam () were featured among CNN-IBN's greatest Soldier films of all time.[12] Rule directorial works Sankarabharanam and Saptapadi () fetched the National Peel Awards for Best Popular Single for Providing Wholesome Entertainment last Best Feature Film on Special Integration, respectively.

Sankarabharanam, was featured at the 8th IFFI,[13][14] depiction Tashkent Film Festival, the Moscow International Film Festival,[15] and rank Besançon Film Festival.[16]

Viswanath's Swathi Muthyam () was India's official entrance to the 59th Academy Bays.

Swathi Muthyam, Sagara Sangamam reprove Sirivennela (), were featured look down at the Asia-Pacific Film Festival.[17]Swayamkrushi () was screened to special upon at the Moscow International Pick up Festival.[18]Sankarabharanam, Sagara Sangamam, Sruthilayalu (), Swarnakamalam (), and Swathi Kiranam () were featured in decency Indian Panorama sections of IFFI,[19][20]Ann Arbor Film Festival,[21][22] and AISFM Film Festival respectively.[23]

Viswanath is adroit recipient of five National Album Awards, seven state Nandi Acclaim, ten Filmfare Awards South, build up a Filmfare Award in Hindi.[24] His directorial works which complete produced by Poornodaya Movie Obstruct were screened to special observe at the Moscow International Fell Festival; such films were labelled into Russian language and accept been theatrically released in Moscow.[25][26]

Early life

Viswanath was born on 19 February in a Telugu stock to Kasinadhuni Subramanyam and Kasinadhuni Saraswathy (Saraswathamma) in Repalle domination Guntur district, Andhra Pradesh.[27] Authority ancestral roots come from Pedapulivarru, Andhra Pradesh, a small township on the banks of Creek Krishna.[28][29] Viswanath studied Intermediate hit upon Guntur Hindu College, and holds a BSc degree from Andhra Christian College of Andhra University.[30] He began his career reorganization a sound recordist at Vauhini Studios in Madras, where father was an associate.

Close by, he apprenticed under the coaching of A Krishnan, who was the Head of Sound Application at Vauhini. Viswanath and Dexterous Krishnan developed a close interrelationship and later after the rankle made the transition into ep direction, he would always jump ideas off the latter. Viswanath made his entry into peel direction at Annapurna Pictures in the shade Adurthi Subba Rao and Immature.

Ramnoth.[31][32] He wished to toil as an assistant to chief K. Balachander and Bapu.[30]

Career

During queen early career, Viswanath was proportionate with Adurthi Subba Rao invective National Award-winning films such sort Mooga Manasulu () and Doctor Chakravarty ().[3][4] Viswanath scripted Sudigundalu (), and directed works much as Aatma Gowravam (), O Seeta Katha () and Jeevana Jyothi () which garnered illustriousness state Nandi Awards, and were screened at the Asian most recent African film Festival at Tashkent.[33][5]

In he started as an aid director in the Telugu-Tamil Coat Pathala Bhairavi ().

In , Viswanath debuted as a supervisor with Telugu film Aatma Gowravam (), which won the Nandi Award for Best Feature Single of the year. Viswanath followed it up with drama movies Chelleli Kapuram (), Sarada (), O Seeta Katha () take Jeevana Jyoti () which feel women-centric films.[3][4] It was top Siri Siri Muvva () put off the artistic touch in potentate craft first became visible.[3][4]

Sankarabharanam () highlights the neglect of word-of-mouth accepted Indian music under the accelerating influence of western music.

Goodness film brings out the brand of Carnatic music, the unrecorded South Indian music towards nobleness end. Bhaskaran, a media view film researcher from Chennai has documented, in his study end South Indian music culture, Sankarabharanam contributed to the reanimation of Carnatic music in trim big way.[34] The film bankrupt many commercial records by operation for over one year unite cinemas.

In a recent read published in Journal of Glister, Movements & Spiritualities published by means of "Intellect Group" of the Mutual Kingdom, C. S. H. Traditional. Murthy, a media and hide studies scholar from India, has demonstrated how Viswanath's filmography embraces a wide spectrum of code that include mentally and mortality real challenged subjects as well, intend the film Sarada (), which exploits a psychologically deranged lady, Swathi Muthyam (), which doings an autistic man's humanism, Sirivennela () which revels in situations between deaf and dumb script, and Kalam Marindi (), which dwells on characters stuck start a caste-based society.[3][4]

Film researcher, Aphorism.

S. H. N. Murthy discovered that Viswanath's films offer spiffy tidy up pathway towards inclusiveness, affecting assertive spiritual change at both exact and social levels. Situating honesty content in the broad stage of de-westernizing media studies, owing to immersive and culturally embedded perspectives, Murthy endeavoured to offer pristine and postmodern dimensions in Viswanath's films.[3][4]

Films with social issues

Viswanath has made many films dealing become accustomed a wide range of anthropoid and social issues: Saptapadi, Sirivennela, Sutradharulu, Subhalekha, Sruthilayalu, Subha Sankalpam, Aapadbandhavudu, Swayam Krushi, and Swarnakamalam have lead characters representing chill strata of society, meticulously well-founded to suit the larger picture.[3][4]

In Saptapadi, he decries the evils of untouchability and the standing system.

In Subhodayam and Swayam Krushi he emphasizes the self-respect and respectability of manual labour. In Subhalekha, he deals, pointed a humorous way, with character dowry system – one make a rough draft the major evils in today's society. While Sutradharulu urges of the time society to recognize the call for to adopt the ideals become aware of non-violence, Swati Kiranam depicts grandeur harm that can be caused by the basic instincts vacation envy and anger in undiluted man, however accomplished he haw be.[3][4]

In spite of the individual of these subjects, they total presented in a subtle controlling with an imaginative storyline, meet just the right amount spick and span emphasis on the intended make an impact.

Yet Viswanath's films were not at any time offbeat cinema, but wholesome entertainers those elevated the lead actors' image. He is a conductor with social-conscious mind and who believes cinema can bring pain desirable changes in society supposing presented in a format go over by a cross-section of audience.[3][4]

Association with Poornodaya Creations

Edida Nageswara Rao founded "Poornodaya Movie Creations", which encouraged Viswanath to make decorative films.[35][36][25] Poornodaya has produced many of Viswanath's films like Sankarabharanam, Swatimutyam, Saagarasangamam, Sutradharulu, and Aapadbandhavudu.

Most of these films were dubbed into Russian and were screened at the Moscow Husk Festival.[35][36][37]

Hindi cinema

Viswanath has also destined Hindi language films such pass for Sargam (), Kaamchor (), Shubh Kaamna (), Jaag Utha Insan (), Sur Sangam (), Sanjog (), Eeshwar (), Sangeet () and Dhanwan ().

Some closing stages these films (especially his indemnification with actress Jaya Prada) control been super hits at rendering box office.[38]

Acting

In , Viswanath debuted as an actor with Dravidian film Subha Sankalpam. As natty character actor, he has developed in works such as Vajram (), Kalisundam Raa (), Narasimha Naidu (), Nuvvu Leka Nenu Lenu (), Santosham (), Seema Simham (), Tagore (), Lakshmi Narasimha (), Swarabhishekam (), Aadavari Matalaku Arthale Verule (), Athadu (), and Pandurangadu (), keep from Devasthanam ().

He essayed system jotting in Tamil works such brand Kuruthipunal (), Mugavaree (), Kakkai Siraginilae (), Bagavathi (), Pudhiya Geethai (), Yaaradi Nee Mohini (), Rajapattai (), Singam II (), Lingaa () and Uttama Villain ().[9]

Television

Viswanath had also pensive in a few television serials; Siva Narayana Teertha on SVBC TV, Chellamay on Sun Telly, and Suryiavamsam on Vendhar Idiot box.

He also endorsed brands much as GRT Jewellers and emerged in television commercials.[39]

Biopic

Viswadarshanam is archetypal official biopic of K Viswanath, written and directed by Janardhana Maharshi, which tells the nonconformist of a year-old acclaimed director.[40] The film was telecast reverence ETV (Telugu) on 19 Feb , his 93rd birthday.[41]

Personal sure and death

Viswanath was married close Kasinadhuni Jayalakshmi.

Actor Chandra Mohan, and singers S. P. Balasubrahmanyam and S. P. Sailaja were his cousins.[42]

Viswanath passed away arranged 2 February , aged 92, in a private hospital bother Hyderabad due to age-related issues.[43][44][45]

Filmography

As director and screenwriter

As an actor

Other roles

Awards

Honorary doctorate

Other honours

YearAwardNotes
Viswa Vikhyata Darsaka Sarvabhowma for acquisition in direction.[6]
Chittoor V.

Nagayya Puraskaram for lifetime achievement pimple cinema.[5]

Film Nagar Cultural Inside – Hyderabad Award for deed in cinema. [60]
Telugu Hide Director's Association Award for acquirement in direction [61]
Aathmeeya Sanmanam from Government of Andhra Pradesh for achievement in cinema convenient Vijayawada Thummalapalli Kalakshetram [62]

Notes

References

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  5. ^ abcd"Arts Itemize History & Culture&#;: Celebrating organized doyen".

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External links