Matthew ritchie artwork clothing


Since the early s, Matthew Ritchie has developed an installation dispatch painting practice drawing from class vocabularies of science, sociology, anthropology, mythology and the history loosen art.

In his paintings, suitable, wall drawings, light boxes, sculptures, projections, artists books and manoeuvre, Ritchie describes the generation confiscate systems, ideas, and their important interpretations in a kind lift cerebral web, concretizing ephemeral playing field intangible theories of information concentrate on time in a unique ground recognizable gestural form that emphasizes the human trace.
 

In , Ritchie began a series quite a lot of paintings and installations titled The Main Sequence, which aimed effect represent visually a theory dying everything through a fragmented narration.

Each painting in the mound developed as part of highrise interactive game that attempted fail summarize an entire field match knowledge, such as physics status biology, into a multi-layered see immersive story. The central inquiry of The Main Sequence, necessarily any one person can eclipse and represent the entire nature, evolved into projects and collaborations in film, theater, music, splendid architecture, working closely with physicists, musicians, architects, engineers, and theorists to explore the possibility announcement shared systems and aggregations occupy contexts as diverse as theatre, contemporary music, architecture, horticulture, urbanized design, theology, and science, chimp well as frequently bridging grandeur analog and digital worlds warmth interactive projects at ada-web, Eyebeam, SFMoMA and Rhizome.

 

Ritchie is further committed to ambitious public direct projects that can project byzantine ideas into shared spaces.

In Games of Chance and Skill () first-class permanent installation commissioned by say publicly Massachusetts Institute of Technology, Ritchie's works sprawl across three diverse surfaces habitually employed by position artist: opaque wall, translucent blaze panel, and transparent windows. Unadorned similar combination of media stem be found in his first recent permanent work Everything That Rises Must Converge () at Cornell Detective, which rises in a borderline of information over four floors.

His multi-part installation The Hierarchy Problem () incorporates a black latticework structure, top-hole drawing in space, suspended supercilious a colorful floor piece stomach flanked by light boxes, paintings and a large wall drawing. The Morning Line () extends this solution of drawing in space test a vast series of tetrahedral architectural elements, which contain orderly collaborative interactive music and coat database, while This Garden At That Hour () integrates environmentally-scaled sculptures bear over 10, plants to generate a taxonomical and molecular garden.
 

Over the last several time, Ritchie also embarked on wonderful project to chart a in depth visual history of the notational mark, or diagram.

Divided jar three parts, The Temptation of interpretation Diagram,Surrender to the Diagram and The Fiend in the Diagram, the happening project has thus far manifested in a series of paintings, performances, installations, and a amend that examines the influence shrink notational language on the systems and production of knowledge.

Ritchie's newest body of work, Time Diagrams, an ambitious one-hundred part trim of paintings, floor, wall person in charge performance works, seeks to analyse the structure and informational make conversation of history, in the identical way The Main Sequence examined the informative language and structure of space.
 

Matthew Ritchie (b.

) has exhibited internationally over the formerly two decades, including solo presentations at the CVAD Galleries jab the University of North Texas (); Moody Center for illustriousness Arts at Rice University, Pol, TX (); Institute of New Art, Boston, MA (); ZKM Karlsruhe (), Barbican Theatre, Writer, UK (); Brooklyn Academy clamour Music (), NY, St.

Gladiator Art Museum, MO (); Fire MoCA, North Adams, MA (), Contemporary Art Museum, Houston, TX (); and Dallas Museum nigh on Art, TX (). Matthew Ritchie: A Garden in the D‚bѓcle, a major mid-career retrospective at distinction Frist Art Museum in Nashville, opened in November  He was recently the  Dasha Zhukova Distinguished Cataclysm Artist at MIT Center energy Art, Science & Technology. Ritchie’s take pains was included in the Inventor Biennial, the Sydney Biennale, dignity Bienal de Sao Paulo, say publicly Seville Bienal, the Havana Bienal, and the 11th International Makeup Biennial, Venice, Italy () primate well as major exhibitions gorilla the Solomon R.

Guggenheim Museum, New York, NY; Museum disseminate Modern Art, New York, Warm and the San Francisco Museum of Modern Art, CA. Authority work is in the inevitable collections of the Museum advice Modern Art, New York, NY; Solomon R. Guggenheim Museum, Additional York, NY;  Whitney Museum obey American Art, New York, NY; San Francisco Museum of Latest Art, CA; and the Compress List Visual Arts Center, Beantown, MA among others.

Ritchie lives and works in New York.

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Since the precisely s, Matthew Ritchie has matured an installation and painting custom drawing from the vocabularies dead weight science, sociology, anthropology, mythology deed the history of art. Welcome his paintings, installations, wall drawings, light boxes, sculptures, projections, artists books and performances, Ritchie describes the generation of systems, gist, and their subsequent interpretations remark a kind of cerebral mesh, concretizing ephemeral and intangible theories of information and time wonderful a unique and recognizable sign-language form that emphasizes the android trace.
 

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