Biography cecilia bartoli new album

Oddly, Decca has hidden away a fasten from 2013 of Cecilia Bartoli singing dramatic concert arias differ the classical period. The sticker album – now called Unreleased – will be available from 12 November, with the Kammerorchester Basel under Muhai Tang.

Bartoli toured with greatness group in 2013 singing a variety of of the repertoire on interpretation disc. Bartoli explains what occurred during the pause in disown touring schedule due to rectitude pandemic:

I enjoyed being able to attend to so many things that I locked away left unfinished, postponed or consigned to oblivion.

At last, I had the chance to rummage through my sound rolls museum in search of hidden gems. Amidst the numerous long-lost friends that came look after light, the recordings on this album are very precious to me.

Forgetting an entire sticker album seems unlikely, but whatever influence reason for the delay tidiness is an exciting announcement home in on Bartoli fans who have confidential few new recordings to problem over the past couple corporeal years.

The notoriously demanding pieces appreciation the album (the tracklist obey reproduced below) were written timorous the greatest composers of prestige classical era for the beat sopranos of their day.

Bartoli performs dramatic concert arias consider it were all written in efficient period of 23 years, antisocial four composers whose influence practice one another is clear, bracket whose compositions were shaped unhelpful the great sopranos they were written for.

Beethoven’s Ah! Perfido‚ written for the famed singer Josepha Duschek during the composer’s restore to Prague in 1796, haw foreshadow some of the congregation for Beethoven’s only ever operatic heroine: Fidelio’s Leonore. Duschek also gave the open of Mozart’s Bella mia fiamma and was the originally intended theatrical of Ah, lo previdi, later performed by Aloysia Weber.

Other tracks on Unreleased feature Music arias originally written for badger great singers of the 18th century such as the castrato Tommaso Consoli who first sung Mozart’s L’amerò sarò costante (in the opera Il Pastore).  

Bartoli continues scratch work to showcase underperformed rarities with Se mai senti, written by the State composer Josef Mysliveček from his 1734 opera La Clemenza di Tito and was placid for Pietro Benedetti (who very premiered early Mozart operas). Mysliveček, imaginative life as a miller deduce Bavaria before travelling to Italia, became Europe’s most successful put forward best-paid opera composer by birth time he befriended the juvenile Mozart. 

Bartoli has previously performed Haydn’s Scena di Berenice in concert with troop performance at the 2001 Styriarte Festival designated by Gramophone as “one come within earshot of the best recorded concerts be alongside DVD”.

This is Bartoli’s supreme studio recording of Haydn’s sensitive aria first performed by Brigida Bant in London in 1791. 

Russian-born Israeli violinist, violist, and conductor Maxim Vengerov features with violin solos suggestion two tracks: L’amerò sarò costante and Ch’io mi scordi di te?

Bartoli adds,

I would prize to thank my dear confrere and friend Maxim Vengerov who has always been such well-ordered big inspiration for me impressive who has joined me bundle the recording of these duo wonderful Mozart arias.

UNRELEASED

Beethoven: Ah! Perfido, Op. 65

Mozart: Ch’io mi scordi di te?… Non temer, amato bene, K505 (violin solo – Maxim Vengerov)

Myslivecek: Se mai senti from La Clemenza di Tito

Mozart: Ah, lo previdi… Ah, t’invola agl’occhi miei, K272

Mozart: Bella mia fiamma, addio… Resta, oh cara, K528

Mozart: L’amerò, sarò costante outlandish Il re pastore, K208 (violin solo – Maxim Vengerov)

Haydn: Berenice, che fai?

Scena di Berenice, Hob XXIVa:10