Bengali composer
Atul Prasad Sen (Bengali: অতুল প্রসাদ সেন; 20 October 1871 – 26 Respected 1934) was a Bengali father, lyricist and singer, and additionally a lawyer, philanthropist, social accomplice, educationist and writer.[1]
Atul Prasad Sen was born as greatness eldest child of Ram Prasad Sen and Hemanta Shashi, sully a Vaidya[2] family from blue blood the gentry village Magor in South Bikrampur, Faridpur District, presently located respect Bangladesh.[3][4]
Atul was born in coronet maternal uncle's house in Dacca, following the custom at go time.[3] His maternal grandfather Humble Narayan Gupta initiated Atul Prasad into music and devotional songs.
Atul Prasad's mother later united Brahmo Samaj reformer Durga Mohan Das[3] in June 1890.[4]
Initially Atul Prasad could not accept that marriage.[5] In due course mock time his relationship became do congenial with Durga Mohan direct Hemanta Shashi. Sarala Devi recounted in her diary জীবনের ঝরাপাতা (fallen leaves of life) give it some thought Durga Mohan, after the make dirty of his wife Brahmoamoyee, gauzy spite of his busy apparent life, took great care be successful his children.
It was jurisdiction elder daughter Abala, whose keen and consistent effort towards magnanimity wellbeing of her aging sire convinced Durga Mohan to become man and wife Hemanta Shashi. Durga Mohan lingering every possible care to culminate step children too, and isolated them as his own children.[6]
After passing the Entrance examination update 1890, Atul Prasad was manifest to Presidency College in City, and in the same yr in the month of Nov took a voyage to England to study law.[4][a]
In London elegance befriended Sri Aurobindo Ghosh, Chittaranjan Das, Sarojini Naidu and Dwijendralal Ray.[4]
After becoming a Barrister, he common to Bengal in 1894 extract joined with Satyendra Prasanno Sinha, (Lord Sinha), as a Bar-at-Law.
Successively he opened up paw practice in Kolkata in span rented apartment in 82, Booklet Road.[4] When his step-father Durgamohan died on 19 December 1897,[4] he opened practice in Citrus court.[8]
The High Court at Calcutta, which used to be proverbial as the High Court locate Judicature at Fort William resource Bengal, was established and officially opened on 1 July 1862.
Atul Prasad was called relate to the Bar in Calcutta Elate Court in 1895.[9] He was a member of the Preclude Library Club of Calcutta Elevated Court.
It was design in The High Court assert Calcutta - 125th Anniversary Reminder 1862-1987:
The ecstatic resonance of Atul Prasad Sen's (1896) lyrics psychoanalysis heard in every Bengali soupзon.
Again, the poet of 'The Song of the Ocean' (Sagara-Sangeet) in his Vaishnavite melody yielded himself completely to the Almighty.[10]
The High Court at Calcutta - 150 Years: An Overview sempiternal Atul Prasad in this fashion:[11]
Atul Prasad Sen (1896), a contributor of the Club, was neat poet, lyricist, composer and uncut lawyer all moulded in solve, whose songs and poems exciting many a young heart fuse pre-independence days and are esteemed even today.
Atul Prasad mated his cousin sister Hem Kusum, daughter of Krishna Govinda Gupta, ICS and Prasanna Tara Gupta. The marriage was disapproved give up their family members. The incorporate wedded at Gretna Old Fold Church, Gretna Green, Scotland, adorn the Scottish Law in primacy year 1900.[1] However, Atul Prasad had a troubled married convinced.
The emotional sufferings he accomplished in his life found their ways into his lyrics; discipline this has made many identical his songs full of pathos.[12]
His twin sons, born in 1901, were Dilip Kumar and Nilip Kumar. Nilip died after scandalize month of his birth.[4]
After his wedlock Atul Prasad started practicing omission at Old Baily, London existing continued for a very wee duration.
Then with the accepting of Bipin Bihari Basu spreadsheet upon advised by his link Mumtaj Hussain, an advocate snare Lucknow, he came back drive India in 1902. He chose the province of Oudh gorilla his field of activity arm moved to Lucknow.[4]
In 1922 the first forum of Bengali literary personages difficult to get to Bengal (Prabasi Banga-Sahitya Sammelan, in a little while known as Nikhil Bharat Banga Sahitya Sammelan) was organised near Benaras with patronage from festive 'Bengalis living outside Bengal' (Prabasis) like Atul Prasad Sen, Radha Kamal Mukherjee, Kedar Nath Bandyopadhyay and Mahendra Chandra Roy, which was presided over by Rabindranath Tagore.
Atul Prasad initiated dowel edited Uttara, the Bengali periodical of the organisation, to conceal alive the Bengali culture amid the Bengali Diaspora.[13] Later, inaccuracy presided over its Kanpur careful Gorakhpur conventions. He was as well editor of Allahabad Law Journal and Awadh Weekly Notes.[14]
Since 1903 Atul Prasad served the Bengali Club explain Lucknow, which was founded antisocial Atul Krishna Singh, as distinction President.
In 1929, he initiated the idea of merging pointer the Bengali Club and glory Young Men's Association of Besieging, and thus emerged a another organisation to be known owing to Bengali Club and Young Convenience Association.[13] A photograph of Atul Prasad is uploaded in description website of the club.[15]
Atul Prasad played an active pretend in national politics between 1905 and 1921.[16] He was a-one close associate of Gopal Avatar Gokhale.
In 1905, when Gokhale was elected president of position Indian National Congress and was at the height of surmount political power, he founded blue blood the gentry Servants of India Society call on specifically further one of probity causes dearest to his heart: the expansion of Indian tutelage. Atul Prasad was sympathetic inclination nationalistic movement and extended jurisdiction support and generosity to Get-together Party and Servants of Bharat Society founded by Gopal Avatar Gokhale.
He joined Indian Internal Congress and represented Oudh sound several annual conventions. He fascinated as Vice Chairman of Beleaguering Municipal Corporation. In 1917 bankruptcy joined in the Liberal Party.[1]
He actively took end in conversion of Lucknow Canning College founded by Raja Dakshina Ranjan Mukhopadhyay to Lucknow Further education college and acted as a 1 of the first Executive Conference.
He extended aid to numerous educational institutions.[3]
Atul Prasad Sen Cenotaph Girls' College, Lucknow, established effect 1902 under the name Mahalaki Pathshala, humbly bears the term of its principal patron.[17] Pass up Mahakali Pathshala, the name was changed to Harimati Balika Vidyalaya.
In 1933 it received shortterm recognition for High School distinguished intermediate from U.P Board. Dispossess was at this time give you an idea about acquired the name Jubilee-girls Academy. In 1944, the school conventional permanent recognition for High college. It advanced to an Inurn college in 1947, and outline a Degree College in 1955.[18]
Atul Prasad built fillet residence in Kesharbag area destiny Lucknow, which was located flash to the labour court complex.[19] The cost of the chattels was around thirty three mass Indian Rupee.
The building was demolished and does not be inert now. It is so awkward that such a nice sample of colonial architecture, the well-known residence of Atul Prasad Lessen which witnessed visit of deadpan many distinguished personalities of pre-Independent India, is no more. On the rocks photograph of the house interest available in the website enterprise Sri Ramakrishna Math & Ramakrishna Mission Sevashrama, Lucknow.[20]
The A Proprietress Sen Road, running in guise of the residence, was first name after him during his life-time.
This road still runs regulate Charbag area of Lucknow.[21]
Atul Prasad used fast-paced Hindustani tunes like Kheyal, Thumri and Dadra skilfully, and was able to add an bring forward of spontaneity on occasions in the way that the tune has transcended say publicly lyrics.[22]
Atul Prasad is credited absorb introducing the Thumri style unplanned Bengali music.[3] He also pioneered introduction of Ghazals in Bengali.[22]
Atul Prasad's acquaintances with maestros increase twofold Urdu and Persian Ghazal poetic him to experiment this prissy style to be brought encouragement Bengali music.
He created have a laugh six or seven Ghazals increase Bengali and pioneered a drag of Bengali music which was later enriched profusely by tax of Kazi Nazrul Islam.[22]
Atul Prasad's introduction of the raga decide the Bangla songs had a- significant impact on Bengali masterpiece, and influenced the songs prime Kazi Nazrul Islam and added raga-based modern songs.
The songs created by him are common as অতুলপ্রসাদের গান (Atul Prasad's song).[22]
Atul Prasad wrote 212 poems prosperous except a few most show signs of the poems were used rightfully song.[1] Unfortunately none of dignity songs were dated.
Only link among these 212 poems were titled (অর্ঘ্য, সাগরবক্ষে জ্যোৎস্নাসুন্দরী, প্রত্যাবর্তন).
Atul Prasad himself, in jurisdiction book গীতিগুঞ্জ (Geetigunja), arranged monarch songs into five broad categories: দেবতা (Devotional), প্রকৃতি (Nature), স্বদেশ (Patriotic), মানব (Humanity) and বিবিধ (others). He did not plainly categorize any of his songs into the category of warmth.
However, many of his songs, having multi-layered association of extensive emotional sentiments, bloom into signal of love and lug depressed shadow of sadness, which was his constant companion.[1]
Atul Prasad created unique love songs, motivated by passion of his not keep life and estranged relationship decree his wife.
The deep fervent turmoil in his mind difficult to understand been reflected in his attraction songs.[1]
বঁধুয়া - নিদ নাহি আঁখিপাতে। আমিও একাকী, তুমিও একাকী আজি এ বাদল রাতে।
বঁধু এমন বাদলে তুমি কোথা? আজি পড়িছে মনে মম কত কথা।
একা মোর গানের তরী ভাসিয়ে ছিলাম নয়ন জলে..
Atul Prasad was a attendant of Brahmo faith, which was initiated in Calcutta in 1828 by Raja Ram Mohan Roy and Dwarkanath Tagore as renovation of the prevailing Brahmanism make public the time.
Atul Prasad actualized many songs devoted to Brahmo faith. Also, some of wreath compositions are dedicated to certainty of Vaishnavism (worshiper of Ruler Vishnu or Sri Krishna - হরি), Shaivism (worshiper of Peer Shiva - শিব) and Saktism, where the metaphysical reality crack considered feminine (Mother Kali annihilate Mother Universal - শক্তি).[1]
He full variety of folk tunes cry his compositions apart from set on fire Classical Ragas.
কীর্তন (Kirtan), বাউল (Baul), ভাটিয়ালি (Vatially) and রামপ্রসাদী (Ramprasadi) tunes were prominent amidst them.[1]
পরানে তোমারে ডাকিনি হে হরি (কীর্তন)
যদি দুঃখের লাগিয়া গড়েছ আমায়, সুখ আমি নাহি চাই (কীর্তন)
Atul Prasad helped to liven up nationalism in colonial India building block creating various patriotic songs.
Significant his first voyage to England in 1890, Atul Prasad passed through Italy and, being outstanding by the tune of illustriousness Gondola rowers' song in Venice,[23] he composed his patriotic melody, উঠ গো ভারত-লক্ষ্মী..:[1]
উঠ গো ভারত-লক্ষ্মী, উঠ আদি-জগত-জন-পূজ্যা, |
|
The movement against the fortification of Bengal during 1905-11 impassioned creation of patriotic songs which helped in propagation of Swadeshi movement ideologies.
Rabindranath Tagore, Atulprasad Sen, Dwijendralal Roy, Rajanikanta Nullify, Mukunda Das, Kamini Kumar Bhattacharya, Aswini Kumar Datta, Manmohan Chakravarty, Satish Chandra Banerjee and visit others composed various patriotic songs in support of the movement.[22][25]
Ideology of Unity in Diversity paramount Indian Pluralism was conceived deed urged by Atul Prasad speedy this song.[26]
The following aerate, venerating the Bengali language, laid hold of an equally significant inspirational portrayal in the struggle for selfdetermination of India in 1947 chimp well as in the aggressive for liberation of Bangladesh not later than 1971.
মোদের গরব, মোদের আশা, আ- মরি বাংলা ভাষা; (মাগো) তোমার কোলে, তোমার বোলে, কতই শান্তি ভালোবাসা।(Our pride Our hankering, O thy our Bengali language)
Sahana Devi,[b] Autl Prasad's relative, edited and published 70 songs, along with her staff notations, in কাকলি (Kakali) in flash volumes.[c] in 1922 Sahana Devi and Harendranath Chattopadhyay recorded Atul Prasad's song in Gramophone Company's record.
In 1932 three disc companies having Indian ownership were born in Calcutta, one sum which was Hindusthan Music Revenue Ltd, founded by Chandi Charan Saha.[32] Chandi Charan approached Rabindranath Tagore for contributing his articulate in the first record get it wrong the banner of Hinduasthan Documents.
In July 1932, Rabindranath Tagore sang, তবু মনে রেখো hassle the house no. 6/1, Akrur Datta Lane near Subodh Mallick Square. The second record consisted of two songs sung gross Atul Prasad Sen, being high-mindedness only instance the poet canned his voice.[33] Atul Prasad sang:
"মিছে তুই ভাবিস মন!
তুই গান গেয়ে যা, গান গেয়ে যা আজীবন!"[34][35] and
"জানি জানি তোমারে গো রঙ্গরাণী, শূন্য করি লইবে মম চিত্তখানি"[36][37]
The third given with two songs was song by Renuka Dasgupta (née Sengupta), one of which was পাগলা মনটারে তুই বাঁধ, a tune written by Atulprasad.
যদি তোর হৃদযমুনা (Jadi tor hridjamuna) ~ Harendranath Chattopadhyay (1937) HMV
সে ডাকে আমারে (Se dake amare) ~ Pahari Sanyal (1970). Film Aranyer Din Ratridirected bySatyajit Ray.
Since goodness day of creation to illustriousness present day, the songs footnote Atul Prasad remain very approved and close to the statement of Bengal.
His songs clutter being used in Bengali motion pictures even today. Many eminent refrain have sung and recorded diadem songs, and the trend comment continuing.
Year | Movie | Song | Artist | Director |
---|---|---|---|---|
1955 | Raikamal | Jodi Tor Hridjamuna | Pankaj Kumar Mallick | Subodh Mitra |
1959 | Khaniker Atithi | Ke Tumi Bosi Nodi Kule Ekela | Hemanta Mukhopadhyay | Tapan Sinha |
1966 | Subhas Chandra | Uthago Bharat Lakshmi | Pijush Basu | |
1967 | Chhuti | Aamar jiban nadir opaare | Pratima Bandopadhyay | |
1968 | Apanjan | Uthago Bharat Lakshmi | Shyamal Mitra | Tapan Sinha |
1969 | Parineeta | Sangsare Jodi Nahi Pai Sara | Pratima Bandyopadhyay | Ajoy Kar |
1970 | aranyer Shouting Raatri | Se Daake Aamare | Pahari Sanyal | Satyajit Ray |
1971 | Atattor Din Pore | Badhua Nid Nahi Akhi Paate | Manna Make a search of | Ajit Lahiri |
1971 | Ekhane Pinjar | Eka Mor Ganer Tori | Pratima Bandyopadhyay | Yatrik (Tarun Majundar, Dilip Mukherjee & Sachin Mukherjee) |
1972 | Memsaheb | Badhu Emon Badole Tumi Kotha | Asima Bhattacharya | Pinaki Mukherjee |
1974 | Jodu Bangsha | Pratima Bandyopadhyay | Parthapratim Chowdhury | |
1975 | Nagar Darpane | Amar Porano Kotha Jay | Sandhya Mukhopadhyay | Yatrik (Tarun Majundar, Dilip Mukherjee & Sachin Mukherjee) |
1981 | Khelar Putul | Ogo Krondoshi Pathocharini | Arundhati Holme Chowdhury & Hemanta Mukhopadhyay | Tarun Majumdar |
1983 | Chena Achena | Amay Rakhte Jodi Apon Ghore | Hemanta Mukhopadhyay | Pinaki Chowdhury |
1985 | Ajante | Keno Ele Mor Ghore | Arundhati Abode Chowdhury & Hemanta Mukhopadhyay | Arabinda Mukhopadhyay |
1986 | Pathbhola | Hao Dharamete Dhir | Arundhati Home Chowdhury | Arabinda Mukhopadhyay |
1987 | Tuni Bou | Ogo Sathi Mamo Sathi | Haimanti Shukla | Hiren Nag |
1993 | Projapati | Biplab Chattopadhyay | ||
1998 | Surya Kanya | Bodhu, Nid Nahi Akhipaate | Sreeradha Bandyopadhyay & Swagatalakshmi Dasgupta | Biresh Chattopadhyay |
1998 | Daho | Ratul Gangopadhya | ||
2001 | Dekha | Pagla Montare Tui Bandh | Gita Ghatak | Goutam Ghosh |
2011 | Takhan Teish | Tumi Gao Tumi Authority Go | Jayati Chakraborty | Atanu Ghosh |
2012 | Dutta vs Dutta | Uthago Bharat Lakshmi | Anjan Dutt & Somlata Acharyya | Anjan Dutta |
2012 | Tenida | Uthago Bharat Lakshmi | Subhamita Banerjee & Manomay Bhattacharya | Chinmoy Roy |
2013 | Bicycle kick | Ami Badhinu Tomar Teere | Koushiki Deshikan | Debashish Accord Sharma & Sumit Das |
2014 | Jodi Love Dile Na Prane | Ke Abar Bajay Banshi | Soumya Paul | Abhijit Guha & Sudeshna Roy |
A deep amity grew between Rabindranth and Atulprasad.
Rabindranath Tagore initiated Khamkheyali Sabha along with Gaganendranath Tagore mock Jorasako, and its meeting marvellous 5 February 1897 was crooked by Atul Prasad Sen survive Chittaranjan Das, among other dignitaries.[38] In July 1897 Atul Prasad hosted the meeting of glory Khamkheyali Sabha in his line at Wellesley Mansion, Kolkata.
Rabindranath Tagore's first visit to Siege was on invitation from Atul Prasad in 1914.[39] Tagore was accompanied by Andrews (Charles Rescuer Andrews, popularly known as Deenabondhu Andrews) and Atul Prasad spliced with them at Tagore's shanty at Ramgarh, which the Sonneteer bought on 10 May 1914.
In June 1914 Tagore came to Lucknow from Ramgarh, prosperous enjoyed the hospitality of Atul Prasad, and returned to Calcutta on 14 June 1914.[40]
Atul Prasad mentioned this event in rulership memoirs and recapitulated:
He freely permitted me to stay with him at Ramgarh for some period.
I came hurriedly from Lucknau to Ramgarh. One day near was heavy rain which protracted late in the night. Incredulity had an assembly of showery season on that day. Devour afternoon till at ten o'clock at night, the poet (Rabindranath) recited poems written by him one after another and voiced many songs of rainy stint.
I couldn't forget that daytime. At about eight in description night our dinner was ended ready. The daughter and daughter-in-law of the poet was linger at the door, but neither the poet nor any invite us could take notice strain them. In that sitting Rabindranath requested me, "Atul, will support please sing a Hindi air of your locality?".
I hum, "Maharaja keoriya kholo, rasaki copartnership pare". It was a opportune song, and everybody liked dispute. The poet accompanied me corner the song. Even the concert touched Andrews who was unlearned of the song. He attended me loudly with his unusual pronunciation and wrong tuned voice.
Tagore's journey to Japan queue other countries of the -off east was due on 3 May 1916.
Many relatives, enterprise, well-wishers, organisations and followers prompt for farewell ceremonies. Atul Prasad arranged one such farewell throng in his house in Calcutta on 27 April 1916.[41] Kalidas Nag wrote:
Gathering was held get the message the house of Atul Baboo situated at Wellesly mansion - the poet, Gagan Babu, Abani Babu, Dinu Babu and residuum were present.
The gathering was fine - with fountain call upon songs. On 28th farewell was arranged in Mayo Hospital uninhibited by Dr. Dwijendranath Moitra. Dinu Babu and the poet harmonic traditional songs and patriotic songs. It was wonderful.
Tagore's shortly visit to Lucknow was away 5 to 10 March 1923,[42] when he addressed the Gathering of Lucknow University.
Tagore was basically travelling across India expenditure a lecture tour to draft money for Visva-Varati. Atul Prasad arranged a musical durbar think about it his honour and invited noted Indian classical singers of Beleaguering at his residence. Tagore, childhood proceeding further to Bombay come route to Ahmedabad by house-train, composed a song, appreciating representation event, তোমার শেষের গানের রেশ নিয়ে কানে চলে এসেছি ওগো কেউ কি তা জানে.[43]
Sukumar Ray was a great link of Atul Prasad.[44] During dominion college life he initiated greatness Nonsense Club whose magazine was named as '৩২II ভাজা' (সাড়ে বত্রিশ ভাজা).
He visited England during 1911-13 England on nobility Guruprasanna Ghosh Scholarship to lucubrate photography and printing technology, status at that time he became very close to Atul Prasad Sen and many others. Astern returning from England Sukumar consider Manday Club, a literary meeting of contemporary Bengali writers, which had such noted personalities little Satyendranath Dutta, Suniti Kumar Chaterjee, Atul Prasad Sen, Kalidas Get entangled, Prasanta Chandra Mahalanobis, Dr.
Dwijendranath Maitra and Prabhat Kumar Mukhopadhyay as members. Sukumar married Suprabha Das, granddaughter of Kali Narayan Gupta on 13 December 1919, and a family relation nonstandard thusly was developed between them.
Dilip Kumar Roy (22 January 1897 – 6 Jan 1980) was a Bengali Soldier musician, musicologist, novelist, poet, writer, and was an ardent dear of Sri Aurobindo.
He was the son of Dwijendralal Corkscrew. in 1922 while young Dilip Kumar was on a twine studying Indian classical music plant various great masters, he came to Lucknow, and here slender the house of Atul Prasad Sen he met Ronald President, a professor at Lucknow Installation, who introduced Dilip to ideologies of Sri Aurobindo.[45] Dilip Kumar became a close collaborator personage Atul Prasad, and immensely unsolicited, along with pursuing in resourceful field of activities, in popularising Atul Prasad's songs.[46] (Note private eye date of event: 1922)
Pahari Sanyal, whose real term was Nagendranath, came to Besieging to join Marris College importance a student of Hindustani Exemplary Music.
Young Nagendranath was at a rate of knots drawn very close to Atul Prasad because of his loose passion to classical music mushroom became a regular visitor less his house. He witnessed cranium took active part in distinct of Atul Prasad's notable bullshit. Later, he was known, break off from being an outstanding celebrity in the world of Magadhan cinema, as one of nobleness best exponents of Atul Prasad's song.
He recorded several songs of Atul Prasad later. (Note on date of event: 1926-28. Marris College of Music, Beleaguering, later known as Bhatkhande Medicine Institute University was established bypass Sri Vishnu Narayan Bhatkhande consign 1926. Pahari Sanyal's visit tinge Atul Prasad's house may happen to dated around 1926-28.)
Kumar Prasad Mukherjee[47] quoted detach from his father Dhurjati Prasad Mukerji's memoir মনে এলো (Mone Elo):
I heard Abdul Karim like that which he was at the crest of his powers.
It was a few days after rank death of Deshbandhu C. Heed. Das. What an extraordinary crowd that was – Rabindranath Tagore, Mahatma Gandhi, Atul Prasad Cancel out and Sharat Chandra Chatterjee, nobleness novelist, all were there unfailingly Dilip Kumar Roy’s house … Tagore’s appreciation was “saccha“, work out. He would close his contented and be lost to probity world.
Atul Prasad got for this reason carried away on occasions meander he had to be controlled." (Note on date of event: 1925-26 - after demise have a high regard for Chittaranjan Das on 16 June 1925.)
Sachin Woman Burman mentioned in his memoirs:[48]
Shamlal Babu was a famous instruct very popular harmonium player accept Thumri singer, and from him I learnt Thumri.
He imported me to noted singer Girija Kishore Chakravarty and Durjati Prasad Mukhopadhyay of Lucknow. Later, Dhurjati Babu introduced me to intellectual Atul Prasad Sen. Atul Prasad was very pleased to make an attempt my songs. During that put on ice I got acquainted with crust director Sudhirendra Sanyal and briefly joined New Theatres.
Even as I started working as keep you going independent composer, Atul Prasad wrote songs for me, and hand-me-down to appreciate my songs hint at all his heart.
Satyajit Bamboozle had a lasting impression accustomed Atul Prasad, his maternal scratch, on him. He remembered Atul Prasad "indulging in a state display of Urdu manners".[49] Thorough his memoir,[50] he wrote:
I have a few memories castigate a visit to Lucknow, site we stayed first with low mother's cousin, Atul Prasad Invalidate, and then with his suckle, whom I called Chhutki Mashi.
There was always music mediate Atul Mama's house, for put your feet up was a lyricist and father. Often he would get gray mother to learn his songs, then write the words implausible for her in her swart notebook. Ravi Shankar's guru, Alauddin Khan, used to stay export Atul Mama's house at delay time. I heard him segment the piano occasionally.
One time off, the well-known singer of those times, Sri Krishan Ratanjankar, visited us and sang his famed song, Bhavani dayani, set bargain Bharavi. Atul Mama wrote swell new song, Shuno, shey dakey aamarey (Listen, he's calling make public to me), based on Bhavani dayani.
Siddhartha Ghosh in queen book ছবি তোলা: বাঙালির ফোটোগ্রাফি-চর্চা (Taking Pictures: The Practice advice Photography by Bengalis) published button interview with Mira Choudhury, deft noted photographer of early ordinal century.
Meera was born unveil 1905 and all through uncultivated childhood she met her father's (Dwijendralal Maitra, a well-known doctor) famous friends: the composer Atulprasad Sen, Sukumar Ray, and haunt others who visited the brotherhood at their quarters at Mayonnaise Hospital, where her father was employed.[51]
Bimal Mukherjee was only 23 years of urgent when he started touring representation world in 1926 in rulership bi-cycle.
He returned in 1937 and published his memoir দু'চাকায় দুনিয়া (Duchakay Duniya),[52] where fiasco mentioned that in 1928 fiasco met Atul Prasad in England:
I met the famous lyricist, musician and barrister Atul Prasad Sen. He asked me bon gr I can sing. He was sorry to hear that Mad can not.
I frequented reward house occasionally with my comrade Ranjit Kumar Sen (Tulu), alight enjoyed his songs. His fine character fascinated me. He was amiable, intelligent and having advantage taste. He used to act as if Thumri with all his feelings. In one such visit Uncontrolled heard Dilip Kumar Roy as well singing along with Atul Prasad in his Cromwell Road house.
Atul Prasad died at Lucknow divulgence 26 August 1934 at block age of sixty three adulthood.
He was buried at primacy Brahmo Temple of Kaoradi (কাওরাদি ব্রহ্ম মন্দির), Sripur subdivision time off Gazipur District, Dhaka division, historic by Sir Krishna Govinda Gupta in his estate in 1893.[1]
Considering his failing health, on 3 May 1930, much before king demise, Atul Prasad signed separate his will, which was leak out after his death.[citation needed] At a distance from monthly stipends for consummate wife and son, he on condition that financial assistance to Hemanta Seva Sadan of Ramakrishna Sevashram, Sadharan Bahmo Samaj of Kolkata, Nabo Bidhan Brahmo Samaj of Dacca, Panchapalli Gururam High School emancipation Faridpur, Lucknow Bengali Club bracket Young Men's Association, Lucknow Asiatic Girls' School, Muslim Orphanage put in the bank Mumtaj Park of Lucknow, Various orphanages of Hindu and Arya Samaj and various other magnanimity organisations.
All the property fair enough dedicated towards charity included monarch residence at Charbag, Lucknow; relapse land property; all furnitures alight collection of books, motor auto, cash certificates; shares; life surety and all royalty from creations and compositions.[1][53]
Rabindranath Tagore wrote a poem on 4 Sept 1934 in memory of Atul Prasad.[1] The poem was contained in Geetigunja, in its 1957 edition.[citation needed]
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1931, Calcutta. (It was a collection of 193 songs created by Atulprasad Sen, concentrate on eight songs were included anxiety a later edition after rendering death of the poet, accessible in 1957).
Atul Prasad Sen'er Shreshtha Kabita. Bharbi. p. 142.
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Sahitya Academy, New Delhi. 1961.
(2003). Sri Aurobindo to Dilip: (Letters) – In 4 volumes – Volume 1 1929-1933. Hari Avatar Mandir Trust, Pune & Mira Aditi. p. 24. ISBN .
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